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Church, Arjeplog, Lapland , Sweden
Arjeplog is a locality and the seat of Arjeplog Municipality in Norrbotten County, province of Lapland, Sweden with 1,977 inhabitants in 2010
Arjeplog has a subarctic climate typical of northern Sweden. Its winters are somewhat moderated by the mild maritime North Atlantic air to the west, although they are still very cold, long and snowy. Summers are short but can occasionally be warm and they also very bright due to Arjeplog's position close to the Arctic Circle. Daylight is sparse in winter, but during summer midnight sun is present for three weeks.] For an even longer period than that it does not get dark in Arjeplog. The presence of the midnight sun is in spite of Arjeplog being below the Arctic Circle, and is caused by the very high sun. As it is below the line Arjeplog does not experience complete lack of daylight during the winter solstice, but it is limited to less than three hours.
Als attractie kan ook de plaatselijke kerk worden aangemerkt. In 1641 begon men met het bekeren van de Sami tot het christendom. Daartoe had men Johannes Olai Hopstadius ingeschakeld. Dit alles in opdracht van Christina I van Zweden. In 1760 werd er een nieuwe kerk gebouwd, die in 1894 werd uitgebreid en 1970 werd gerestaureerd.
Segunda de la serie de fotografías que hice en el criptopórtico que se encuentra en el Museo Nacional Machado de Castro, de Coimbra, Portugal.
El criptopórtico se llaman a las galerías subterráneas de época romana que fueron creadas con objeto de resolver la pendiente del terreno sobre el cual se construyeron edificaciones civiles, religiosas y/o políticas.
This shot was pure luck! I say that because It was completely dark in there with only a spotlight shining on the seats. You couldn't even see past the first row while in there. The meter said 10 seconds and I gave it a bit more and I'm glad I did.
Auditorium, Strand Theatre, Muskegon Heights.
Abandoned home interior with upright piano in Moniteau County, Missouri. Photography by Notley Hawkins. Taken with a Canon EOS R5 camera with a Canon RF15-35mm F2.8 L IS USM lens at ƒ/4.0 with a 179-second exposure at ISO 100. Processed with Adobe Lightroom CC.
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©Notley Hawkins. All rights reserved.
I've always thought this arch at the bottom of Antelope Canyon was the most mind-boggling feature there. From this side it appears to be thin and fragile, but from the other side, you can see the thickness of the outside edge of the arch is 3 or 4 feet. Still, trying to figure out how tumbling boulders in flash floods could have carved this is beyond me.
Every time I've seen this, the light is different. This time it was quite subdued with more gray than orange.
Iyashi-no-sato Nenba
いやしの里根場
This is the interior of a thatched roof house.
茅葺き屋根の家の内部です。
Fuji-kawaguchikomachi, Yamanashi pref, Japan
Interior of the Geologist Cabin and our cozy fire. It's tad small for four people on cots, but was just fine. We enjoyed the fire and watched a movie on a sheet we hung up. Curt brought his mini-projector. All the comforts of home!
That's Andrew on the left and Chris on the right.
Geologist Cabin, Butte Valley
Death Valley National Park
Photo by @Chris Toumanian
Here's the preview of the movie:
Motel cabin interior in Columbia, Missouri. Photography by Notley Hawkins. Taken with a Canon EOS R5 camera with a Canon EF8-15mm f/4L FISHEYE USM lens at ƒ/4.0 with a 13-second exposure at ISO 200. Processed with Adobe Lightroom CC.
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©Notley Hawkins. All rights reserved.
Seen on a Jane's Walk tour of Woodlawn Cemetery, The Bronx
More information on the Harkness Mausoleum www.woodlawn.org/blog/woodlawns-harkness-mausoleum/
"¿Quién ve los interiores como una vez lo hizo un joven Willem?
tu hermoso triángulo de distorsión
Ahora pareces olvidarlo demasiado
¿Quién ve los interiores como una vez lo hizo un joven Willem?
Di que puedes recordar, di dónde está el mañana
Di de donde vienes,
Di lo que nos has dejado.
¿Estamos demasiado cansados para intentar comprender
que nada es nada de lo que dependemos?
Toma mi mano y vamos juntos a llorar
Realmente no hay diferencia
de lo que se ve en el interior, de lo que se ve en el interior.
¿Quién ve los interiores como una vez lo hizo un joven Willem?
Un hermoso paisaje de tu país,
otra era no llega
¿Quién ve los interiores como una vez lo hizo un joven Willem?
Di que puedes recordar, di dónde está el mañana.
Di de donde vienes, di lo que tienes.
¿Estamos demasiado cansados para intentar comprender
que nada es nada de lo que dependemos?
Toma mi mano y vamos juntos a llorar
Realmente no hay diferencia
de lo que se ve en el interior, de lo que se ve en el interior.
...De lo que se ve en el interior."
(Manic Street Preachers)
A closer look at the interior of the Scary Laboratory.
I built the towers separately so they can be rearranged to suit different layouts.
The main section includes the operating table and 'Lightning machine' along with some potion vials and a small generator.
The West tower features the 'Test tube room' filled with odd, bulbous sickly green tubes containing the supposed remains of victims of the Mad scientist.
The East Tower features the generator and control panel for the lightning machine.
Looking back from the interior door of the cabin looking out. The stove is functional if you bring a bottle of propane. There were a few battery powered LED lights scattered about, but we chose not to use them (to save the batteries). We brought our own lights.
On the table are log books. Most people jot down a few lines, along with their name and home town.